World Cup According to Character
The Los Angeles Times
Sunday, June 29, 1986
by: Henry Kissinger
I have been an avid soccer fan ever since my youth in Fuerth, a
soccer-mad city of southern Germany, which for some inexplicable
reason won three championships in a three-year period. My father
despaired of a son who preferred to stand for two hours (there were
very few seats) watching a soccer game rather than sit in the
comfort at the opera or be protected from the elements in a
museum.
Soccer evokes extraordinary passions, especially during the
quadrennial World Cup competition ending today in Mexico City. It
has been estimated that the Brazilian gross national product
suffers a loss of hundreds of millions of dollars for every day
Brazil plays, as rabid fans sit before television sets or radios.
Statistics in other soccer citadels must be comparable.
Soccer lends itself to a competition of national teams because it
requires an extraordinary combination of individual skill, teamwork
and strategic sense. Since there are 11 players on each side
engaged in continuous action, every game produces tactical
necessities to be solved by improvisation on the playing
field.
This was true even in my youth when soccer was much less complex
and much more oriented to the offense. Then there were five
forwards, three midfield players, two fullbacks and a goalie. The
offense being numerically superior to the defense, goals were much
more frequent then. By the late 1930s, managers sought to overcome
this advantage by assigning the center half to shadow the opposing
center forward. The creation of three de facto fullbacks
constricted the attack which since time immemorial had been built
around the center forward.
In the early 1950s, the Hungarians showed how to overwhelm this
defense, turning their center forward into a decoy. He would move
to the sidelines or toward midfield, drawing the shadowing
defensive player out of position, creating an empty space in front
of the goal.
But as in military strategy every offensive maneuver in soccer
evokes a compensating defensive move. The answer to the roving
center forward was a zone defense; defensive players were required
to cover a certain area regardless of which player was attacking.
Total soccer was invented soon thereafter; all players had to be
able to defend as well as attack and to shift from one mode to
another with extreme rapidity.
The modern style of soccer in fact emphasizes defense — with few
exceptions like Brazil, Argentina and France. The basic alignment
has become four defensive and four midfield players; the forwards
have shrunk to two. Massed defenses can in general be overcome only
by rapid thrusts involving very accurate passing. The result is a
very tactical game, its complexity becoming a fascinating
reflection of national attitudes.
The styles of leading soccer powers like West Germany, Brazil,
Italy and England illustrate this point.
West Germany, a finalist today, is, with Italy and Brazil, the most
successful team of the modern era. West German soccer entered the
postwar era with no particular legacy. Postwar Germany's newly
professional soccer being as novel as the frontiers of the state it
represents, it could adopt total soccer with a vengeance. The
German national team plays the way its general staff prepared for
the war; games are meticulously planned, each player skilled in
both attack and defense. Intricate pass patterns evolve, starting
right in front of the German goal. Anything achievable by human
foresight, careful preparation and hard work is accounted
for.
And there have been great successes. Of the last six prior World
Cups, Germany has won two, was second twice, third once and out of
the running only in 1978. At the same time, the German national
team suffers from the same disability as the famous Schlieffen plan
for German strategy in World War I. There is a limit to human
foresight; psychological stress on those charged with executing
excessively complex maneuvers cannot be calculated in advance. If
the German team falls behind, or if its intricate approach yields
no results, its game is shadowed by the underlying national
premonition that in the end even the most dedicated effort will go
unrewarded, by the nightmare that ultimately fate is cruel — a
nightmare reinforced by the knowledge that the German media are
unmerciful when high expectations go unfulfilled. The impression is
unavoidable that an outstanding national soccer team has not
brought a proportionate amount of joy to a people that may not in
its heart of hearts believe joy is the ultimate national
destiny.
Brazil suffers no such inhibitions. Its national teams are an
assertion that virtue without joy is a contradiction in terms.
Brazilian teams display a contagious exuberance; Brazilian fans
cheer them on to the ecstatic beat of samba bands. Brazil always
has the most acrobatic players, the individuals one cannot forget
whatever the outcome of the match. But, as in Brazil's political
institutions, this individualism is combined with an extraordinary
ability to make the practical arrangements required for effective
national performance. As a result, Brazil has appeared in more
World Cups and won more than any other team. It was eliminated in
the quarterfinals of the current competition partly as a result of
an egregious seeding placing Italy, the old World Cup holder;
France, the European champion, and two potential champions — Brazil
and West Germany — in the same half of a sudden-death elimination
round, while the other half contained only one team, Argentina —
today's other finalist — that has ever been in the final
four.
To be sure, the Brazilians, being human, cannot avoid some
weaknesses. The players sometimes are so intoxicated by their
brilliant maneuvers that they occasionally forget the purpose of
the exercise is to score goals. And I have never seen an
outstanding Brazilian goal-keeper. Perhaps the task is too lonely;
the goalkeeper after all has to stay put while his teammates enjoy
themselves tracing clever pass patterns on the turf. Or perhaps the
only purely defensive assignment on a team offends the Brazilian
self-image.
Yet a Brazilian team on the attack — which is most of the time —
looks like a dancing band at carnival. Wave after wave of yellow
shirts roll against the opposing goal until the opposition is
overwhelmed without being humiliated; it is no disgrace to be
defeated by a team whose style no one else can imitate.
Italy's record places it among the top teams of world soccer
although it fell victim to the same absurd seeding as Brazil. The
Italian style reflects the national conviction, forged by the
vicissitudes of an ancient history, that the grim struggle for
survival must be based on a careful husbanding of energy for the
main task. It presupposes a correct assessment of the opponent's
character, paired with an unostentatious and matter-of-fact
perseverance that obscures many intricate levels on which the
competition takes place. The initial objective of Italian teams is
to force the opponent out of his game plan, to wreck his
concentration and to induce him to abandon his preferred style. In
the early stages of a match, the Italian team tends to look
destructive and purely defensive — a style achievable only by
extreme toughness and discipline. But once the Italian team has
imposed its pattern, it can play some of the most effective, even
beautiful soccer in the world — though it will never waste energy
simply on looking good.
No discussion of national soccer styles can be complete without
reference to England. Before World War II and for nearly a decade
after, England was clearly the dominant power. I say England,
because for purposes of international soccer, the United Kingdom
fields four teams: England, Scotland, Wales and Northern Ireland. A
single United Kingdom team using the best players from each would
be even more formidable.
The decline in the fortunes of the English team is, in my view,
primarily caused by a refusal to adapt to the tactics of the modern
era. Before World War II, the English team overwhelmed its
opponents with speed, power and condition. But as defenses massed,
the English quick-breaking style lost much of its effectiveness; as
most of Europe went over to professional soccer, the advantage of
superior conditioning eroded. Yet England refused to adapt its
tactical plan to the passing game needed to break open the modern
defense.
The English national team had never lost a game at home until 1954,
when Hungary prevailed with its roving center forward. Since then,
the English team has gradually declined. It is steady, reliable,
tough. It never yields to panic. It is never defeated one-sidedly.
It achieves everything attainable by character and tenacity.
Regrettably — because I thought the pre-World War II game was more
fun to watch — it has also been somewhat pedantic, as if in
nostalgic thrall to a bygone era. England has never won a European
championship; it has prevailed only once in the World Cup and that
was 20 years ago playing before its own fans. All of us who enjoy
England's muscular game hope that England's relative success in the
current matches heralds a real revival.
The World Cup arouses passions because it involves both an athletic
competition and a contest of national styles. It can be no accident
that the most offensive-minded and elegant European team is France,
only recently become a soccer power; that no team from a communist
country (except Hungary, in 1954) has ever reached the World Cup
finals or semifinals. Too much stereotyped planning destroys the
creativity indispensable for effective soccer.
Soccer has never taken hold in the United States partly because
neither a national team nor a national style has been encouraged.
Still, as an unreconstructed fan, I hope for another attempt to
popularize the sport, perhaps by holding the next World Cup slated
for the Western Hemisphere (1994) in this country.