A “Very Buddhist” take on The
Story of God: Apocalypse
April 6,
2016 Justin Whitaker Patheos
I have been
fascinated by religion and its associated mythologies,
philosophies, and practices for well over half of my life now. I
was raised Catholic, but a very liberal Catholic, and when – around
the age of 12 or 13 – I was given the choice of going to Church or
not, I chose not. Fast forward
a few years, and I created a very small community of non-believers,
dubbed the “Helena Heretics.” I think I still have an unused
email address at yahoo with that name. Then I expanded out to
“Montana Freethinkers,” which attracted a few more people. Keep in
mind that Montana even now has only around one million people and
is geographically larger than Germany.
Then I found
philosophy. Can I get an amen?
Then the study of religions, including Buddhism.
Hallelujah.
That’s where I am
today, a firm believer in the salvific power
of education with all of its
contemplation, discussion, debate and so on. Whatever we choose to
believe at the end of the day, we’re all immeasurably better
off if we understand the history of those beliefs, the people who
originated and promulgated them, the way that wars, disease,
ecology and invention shaped them, and how they fit in to the world
we live in today. And so, when I was invited to join fellow
Patheos writers in screening forthcoming episodes of “The Story of
God” and sharing thoughts each
week, I
was delighted.
For those
unacquainted with the show, it is produced by the National
Geographic Channel and features Morgan Freeman who
has–appropriately perhaps–played God in two feature
films: Bruce
Almighty (2003)
and Evan
Almighty (2007).
The “Story of God”
series premiered on Sunday with “Beyond Death” and follows up with
“Apocalypse,” airing April 10. It is the second of these, on
the apocalypse, that I viewed (though I tracked down “Beyond Death”
and will dive into that shortly…
In this episode
Freeman takes us through Jerusalem (for Judaism), Rome (for
Christianity), and a Mosque in New York City to talk with a
formerly radicalized Muslim who spent time in an Egyptian prison
and left a changed, newly liberal, man. The footage is information-dense and
cinematically beautiful. Each of these religions shares a common
idea of an end time, though the details vary in interesting
ways.
We are taken next
to a psychology lab in Chicago, where an experiment called “shock
at any time” is used to measure startle responses on subjects who
either know about and anticipate a coming electrical shock or do
not. Those who can anticipate the coming shock are startled much
less, suggesting that anticipating any kind of negative
life-experiences might help us cope with them better. Extrapolating
out a bit from anticipated pain to anticipating the end of the
world might suggest that apocalyptic
stories are a common human coping mechanism.
Next, we visit a
Mayan temple where one of those famous calendars is examined and we
find out that December 21, 2012 is just the end of one particular
epoch or age, a time which, had the Mayans still been around, would
have been celebrated with one giant party, and maybe a human
sacrifice or two.
And finally
-almost- we get to the best part, imho: India.
There we are
introduced to Hinduism and Buddhism, but the majority of the
discussion is around Buddhism and the time Freeman spends
with the 17th
Karmapa, Ogyen
Trinley Dorje. As an instructor in Buddhist Philosophy for
theAntioch Education Abroad in
India program
in 2010 and 2014, I had the pleasure of meeting with the Karmapa
each year with students in Bodhgaya.
Born in 1985, he is
still a young man and was barely older than our students in 2010.
Yet, as Freeman notes in the episode, he is a
remarkably humble man, tasked as the
recognized reincarnation of the previous Karmapa, with leading
millions of followers in their spiritual journeys. The Karmapa also
has a great sense of humor, and when Freeman asks if he can ask “a
philosophical question” the Karmapa’s face distorts this way and
that before replying, “I’ll try.” That question is about the idea
of “the end” and the Karmapa quite wisely responds that in a sense
every day is an end, but there is no concept in Buddhism of a
“final end,” that we live instead in a perpetual cycle in which
every ending is a new beginning.
However, as I wrote
in this 2012 post, Buddhism does
have a story about an end-time:
Buddhism has always
held that all phenomena are transitory, including both the
teaching of Buddhism as we know it and the world
itself. While the Dharma
-speaking of the Truth [the Buddha] came to understand – is
universal, eternal, and uninfluenced by particular human
circumstances, thesāsana, or lineage
of teachings handed down for the last 2400+ years, will come to an
end.
Likewise, Buddhism
inherited the cosmology of Proto-Hinduism (Brahmanism), which held
that humans today are living in an age of decline. Part of this
sense of decline is the belief in growing immorality and warfare.
Conversely, the level of emphasis this belief has taken on in
Buddhist cultures often reflects a world around them engulfed in
war or simply persecution. The belief exists in all schools of
Buddhism, though it took on heightened urgency in China. There the
idea that the decline would have a phase of “final dharma”
(mofa), starting in 552 C.E. was
established, and in Japan the same belief,
termed mappō was
transmitted with the updated start-date of 1052 C.E.
So there
is sort
of a vision of apocalypse in
Buddhism, and it was taken very seriously in some Buddhist cultures
at certain times. The idea seems out of favor now though and, as
the Karmapa instructs Freeman, the important thing for many
Buddhists is meditation as a process of “personal revelation” or
enlightenment.
The final scenes of
the show take us to New Orleans where a couple has established
their own church in the wake of Hurricane Katrina’s devastation.
When one of them tells Freeman that he thanks God for the storm
because without it, they wouldn’t have started the church or met
the people around them now, Freeman responds with a smile, “you
know, that’s very Buddhist.”