The Monkey King's
monk
2015-12-17 Xu Fan(China
Daily)
Filmmakers
have wrapped up a biopic of the real-life pilgrim whose adventures
inspired the legend of Journey to the West.
The venerable
Buddhist monk Xuan Zang undertook a perilous journey to India
around 1,300 years ago. Now, an upcoming film based on the
legendary expedition is set to re-create history on big
screen.
As one of the most
talked-about coproductions between China and India this year, the
biographical drama Xuan Zang has recently finished post-production.
The film is set for release early next year.
For most Chinese,
the name of Xuan Zang is a part of childhood memory thanks to
Journey to the West, the Ming Dynasty (1368-1644) novel that has
inspired scores of cartoon books, animated series and TV
dramas.
But interestingly,
the novel depicts Xuan Zang as a weak, nagging coward, who heavily
relies on the four powerful apprentices-including the superhero Monkey
King-to finish the
harsh pilgrimage.
On Tuesday, the
coastal city of Qingdao, Shandong province-hometown of title-role actor Huang
Xiaoming-held an event
to release the trailers and a poster.
Xuan Zang, a Tang
Dynasty (AD 618-907) monk who was confused by the mistranslated,
self-contradicting Buddhist texts, made an adventurous journey to
India, seeking Buddhist scriptures.
"The strong faith
that compels him to seek the real answers of Buddhism supported
Xuan Zang to finish his dangerous journey," says director Huo
Jianqi.
When Xuan Zang
returned to China 19 years later, he brought back more than 650
volumes of sacred books.
His travel journal,
Buddhist Records of the Western World, has become a significant
guide to help India to excavate some religious relics that have not
been recorded in historical texts there.
"I was pretty
surprised to find that modern Indians are familiar with the name of
Xuan Zang. In the local textbooks for primary and middle school
students, Xuan Zang and his stories are featured," recalls Huo when
speaking of his film research.
To trace Xuan Zang's
route, which mostly covered Central and South Asia, the crew spent
six months shooting in the remote deserts in the Xinjiang Uygur
autonomous region and India.
Even with modern
transportation, Huo and the crew found the filming process
"torturous and challenging".
"The desert is very
hot and dry. Most of the crew and cast suffered dehydration," says
Huo.
The summer
temperature on average is around 40 C in the morning and at dusk,
but rises to 60 C at noon.
Huang says the shoot
was the toughest in his 15-year career, and the good-looking
heartthrob had to shave his head for the monk role.
"As the shoot was
close to my wedding day, I felt sorry for my wife that I had to
wear a wig at the wedding ceremony," the actor says.
Huang, who's a Buddhist, canceled another contract
to accept the role because of his strong interest in the legendary
master.
While struggling in a shooting environment
frequently blasted by sand storms, Huang studied Sanskrit to recite
some sacred scriptures.
Director Huo says: "Buddhism is something that gives
the ordinary people peace and tranquility. It's gentle and
soft."
A couple of hundred Indian extras and several top
local actors were recruited for the big-budget movie, which was
mostly financed by the industry giant, China Film Group.
"Most Chinese viewers of my generation have a
stereotyped impression of Indian actors, as they showcase somewhat
exaggerated performances in Bollywood musical features," Huo
says.
"But I found that's totally wrong. They can be
terrific performers who convey convincing emotion and
gestures."
China and India signed an agreement on coproducing
films last September. Xuan Zang was listed as one of the three
highlighted projects earlier this year, according to the country's
top film regulator.
The other two are Kung Fu Yoga, starring Jackie
Chan, and a comedy Danao Tianzhu (An Adventure to India), led by
Wang Baoqiang.