The Lord Shakyamuni Buddha turned the wheel of dharma three
times; the second and third turning of the wheel of dharma
represented the Mahayana teachings. During the second turning, the
Buddha taught that all living beings possessed the foundational
buddha nature tatagatagarba, and the empty sunyata essence of
buddha nature was emphasized. During the third wheel, the Buddha
revealed the luminous or lucid nature of buddha nature and later,
when the Buddha revealed the mantra system, he taught the
indivisibility of emptiness and luminosity. Chod follows the fourth
presentation in which emptiness and clarity, according to the
Middle View, are integrated. The object of refuge is inseparable
from self-originating awareness (rigpa) and the view of one’s own
nature is understood to be the indivisible integration of emptiness
and clarity. The view of chod according to mantra is the union of
emptiness and luminosity which culminates in the view of
dzogchen.
Once the view of the two forms of identitylessness has been
attained, then maintaining the view is called meditation.
Maintaining the view for the duration of one’s life is the
meditation. While practicing, there will be times in your
experience when, because of the blessings of the lama and because
of your own understanding and contemplation of the teachings, you
will feel very certain about the view in meditation, as though it
were fully realized. This is not it; this is the mind progressing
with the view. You must continue to meditate and maintain the view
for many years. When you actually do have direct perception of the
wisdom of identitylessness there is never any change; then you
become a yogin. In Tibetan, yogin is "naljorpa" and "nal" refers to
one who has had a direct perception of dharmata and "jor" means
someone who has actualized the power of this view. Until this goal
of "naljor" is reached, you must continue to practice.
The external conduct or behavior of chod practice refers to the
practioner’s uncontrived appearance: the hair is never cut, the
clothing is natural or white and the practioner has certain
instruments such as the larger damaru drum, bell and thighbone
trumpet. These instrument serve a special purpose but there is no
time to explain this tonight.
The internal conduct of chod practice is the development of the
compassionate aspect of bodhicitta as a result of realizing
identitylessness. At this time, compassion is constantly present
and wells up as one sees the sufferings and predicaments of all
sentient beings who have not realized identitylessness. This is
known as great compassion. It is also the essence of dharmakaya or
nature "as it is."
The secret conduct of chodpractice is called "thulshuk" or
uncontrived conduct. This means fearlessness and abstinence from
expectation and disappointment, even the hope for enlightenment and
realization of identitylessness; also, the fear of falling into
lower samsaric realms. When "thulsuk" is perfected, the practioner
is known as a thoroughly pure practioner of secret chod.
These benefits fall into three categories: temporal,
intermediate and ultimate.
The first temporal benefit is called "shijay" meaning to
pacify, particularly to pacify the suffering of beings in the three
worldly planes who have taken birth in a physical body that is not
strong and healthy, a body that is afflicted with illness or
incomplete faculties. Through chod pratice, the yogi is able to
transform a non-conducive condition into the path which ultimately
leads to liberation very quickly and actually the yogi uses the
power of negative karma to overcome habitual instincts and realize
dharmata. This is called "using an adverse condition to be set
free."
Another temporary benefit of chod practice is accumulating
merit. Chod is a powerful means of accumulating merit because one
is practicing the generosity of offering one’s body. This practice
is popular among beggars or retreatants who have given up
everything and live isolated in the mountains. They have nothing
concrete to offer, no possession at all, except for their body. So
they invite the lamas, meditational deities, dakinis, dharma
protectors and lesser gods and spirits to come and partake of their
body. In this manner, they accumulate tremendous merit.
While practicing chod, from the external point of view, gods and
demons will appear; from the inner point of view, these gods and
demons are simply one’s own conceptual proliferations that are out
of control. Through realizing identitylessness, both the external
and internal problems cannot harm the practioner and the practioner
feels comfortable. Ultimately, the practioner establishes himself
(herself) in the state of the primordial mother,
Prajnaparamita.
During chod practice, we should integrate the sutra chod, which
is transcendental wisdom with the essence of the profound path of
mantra. This can be expressed in a threefold manner: external,
inner and secret practice. The external practice of chod is to go
to a qualified lama and receive the complete instructions on how to
do every aspect of the practice. Then one abandons all worldly
concerns, particularly, the eight worldly dharmas. One goes off to
frightening and dangerous places such as burial or charnal grounds
and to terrifying places where most people would not go. In Tibet,
there were a hundred such places on the route the chod practioners
would travel. They would spend some time in each one and then move
to the next. At each place there were lots of spirit. These places
are the exact type of place where external chod should be practiced
because when one goes to these types of places, one calls out to
the gods and spirits and asks them to create magical displays and
deceptions so that the practioner can apply the view of chod.
If you are a practioner of a high view, there will be many gods
and spirits who surround you and you will have an opportunity to
perform the various chod visualizations and test how strong your
view really is while you are having the frightening experiences of
all these spirits and demons. This practice is maintained while
going from place to place and if everything is going well, the
demons and spirits will follow you all day and night and you will
have an opportunity to constantly apply the view. In order to get
pass any overwhelming fear, one shouts "phat!" very loudly and
other sounds to bring oneself back to the view of realizing that
the frightening display arises only from the mind, i.e. the gods
and spirits which seem very real are only the display of one’s mind
and nothing else. Under these most trying circumstances, one can
test the realization that external appearances arise only from the
mind; the normal reaction is suppressed through employing the
splendor of the view. This is what the chod practioner must
accomplish so that gradually, as the view deepens, the gods or
spirits cannot be harmful. This is the external practice of
chod.
The internal practice is to simply relax in a natural state and
remain in the view while all mental phenomena, such as displays and
visions, are occurring. A chod practioner would probably spend
their entire life in cemeteries and uncertain places; he (she)
would not return to the household and live comfortably, but for the
most part, would spend their life in retreat. Westerners probably
will not have an opportunity to do this. Therefore, as chod
practioners who are also householders, we must try to reduce,
little by little, our attachment to our household and the world. We
can try to eliminate attachment to our situation while remaining in
our situation, without leaving it. When we are in retreat, the more
we meditate on identitylessness by doing chod and the more we
actualize the awareness of the view through practice, the more we
will be able to easily give up our body.
In fact, there are four sessions that are preformed daily for
giving up the body and there are four different ways of doing this
according to visualizations which are very profound for developing
the realization of identitylessness.
The first is the white feast which is the offering of one’s body
through a specific meditation in the early morning dawn. The second
is the mixed feast which is the offering of the body to the guests
at noon time. The red feast is offered in the evening and the black
feast if offered after 9pm. There are different visualizations for
these four feasts according to different traditions such as Chagdud
Rinpochay, Dudgom Rinpochay, Nyingtik and so on.
The main point is always the same: one visualizes oneself
as the Black Yogini, Troma Nakmo and then ejects one’s
consciousness from the body with the sound of phat and then
transforms the corpse into different offerings for the feast. If
you understand the basic view, you can understand all the various
practices.
Practicing the four feasts throughout the day is a means of
accumulating tremendous merit. The main reason is that since there
is nothing in the world that we are more attached to than our body,
then it stands to reason that offering the body is a powerful
source of merit. From the time we were born until now, most of our
efforts have been directed to the sustenance and nourishment of our
body and so we cherish it very deeply. We feed it the best foods we
can find, we care for it, we want it to be healthy, we adorn it
with clothes and all the things that we spend time and effort to
make. Therefore, the body is more precious to us than any other
precious possession. Offering a material object such as an
elephant, horse or mountain is a source of merit; offering one’s
son or wife is a hundred times greater because they are more dear
to us; offering one’s own body is a thousand times greater because
there is nothing more precious to us than our body.
The great bodhisattvas of the past who realized emptiness were
even able to physically give part of their body to beings who were
suffering or were in need. This is only because they had truly
realized identitylessness. Without this realization, it is
absolutely inappropriate to give any part of one’s body because as
soon as you try to offer your body, you will start to feel pain or
illness and immediately develop regret. The moment you regret the
deed, the merit will be lost. This is why one visualizes offering
one’s body - it has the same benefit with no regret and so the chod
practice is based only on visualization, mental activity - there is
no physical offering of the body. In fact, it’s all considered to
be artificial, if you have a lot of material possessions and never
express generosity and then just visualize that you’re giving the
body - this is considered hypocritical, because offering the body
is also meant to be done because one has nothing else to give. And
so the main point is eliminating grasping or cherishing the body
and the self.
We offer the body to the objects of refuge, lamas, meditational
deities, dakinis and protectors. We also imagine that it is offered
to the gods and spirits and to many other beings to whom we owe
karmic debts. So we actually invite all these beings to whom we
still owe something to come and take whatever they want. However,
we are mainly offering to the Three Jewels and thereby accumulating
merit and purifying obscurations.
In the inner chod practice, one transforms the body into
anything which is excellent or edible and invites the guests to
partake of the feast in any way they wish. If you are uncertain
about this and you are not really imagining that they are devouring
the feast, then you are just playing a game with the gods and
spirits whom you have invited. In order to practice you must have
great compassion for all beings, our previous mothers and just let
them take what they want in any way that they want.
At first, it won’t be like this; we won’t be able to actually
give up the body so easily, but by meditating again and again,
slowly we will be able, in the actual presence of gods and spirits,
to give up our body easily and certainly. When this happens, the
mind is purified of obscuration and merit is accumulated; one has
understood the meaning of inner chod, which is the giving up,
through generosity, of our attachment to the five aggregates.
Absolute chod, or the real meaning of chod, is to understand
clearly that all confused perceptions arise from grasping to self.
Until we have been able to sever the root of confusion, confusion
will persist.
In chod, the
principal meditational deity is Yeshay Tsogyal or Troma Nakmo, the
Black Dakini as the female wisdom energy is involved in this
practice. In some texts, the dakini is red or black, or at first
red and then black; sometime she holds the curved blade in her
right hand; sometimes the damaru in her right hand and a thigh bone
in her left; sometime she is holding a curved blade in her right
hand and a skull in her left. As a dakini she is the expression of
divine wisdom; when she appears in red she is more peaceful and she
appears in black, more wrathful. However the wrathfulness is the
intensity of her compassion and isn’t anger. She is the mother or
source of all buddhas called Prajnaparamita, or transcendental
wisdom.