Wow. Kenneth Folk posted something related just when I was
discussing with Longchen on the phone about noting practice.
http://www.buddhistgeeks.com/2010/03/the-yogi-toolbox-%E2%80%9Cpower-tools%E2%80%9D-for-investigating-reality/
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In “Ordinary People Can Get Enlightened” (BG 156) and
“Unifying Developmental Enlightenment and Timeless Realization” (BG
157), Kenneth Folk shared his spiritual journey and practical path
to enlightenment with Buddhist Geeks listeners. In the interview
below, the long-time Theravada practitioner and meditation teacher
introduces his “Yogi Toolbox”—a straightforward approach to
satipatthana vipassana that doubles as an effective way to chart
progress on the path. Folk was interviewed by Atlanta-based
freelance writer Joel Groover.
“As long as there is someone to suffer, they will.” –Joseph
Goldstein
Kenneth Folk: I have been thinking it would be
fun to talk about the yogi’s toolbox. The yogi’s toolbox is
consistent with the idea that it is good to be dynamic in your
practice. It is consistent with the Three-Speed Transmission that you should do
whatever practice is appropriate in that particular moment. So one
thing I tell people is that one of the techniques—there is kind of
a meta-technique that you have to learn, and that is to know what
to do in any given moment.
One of the metaphors I use is to imagine that there is a peanut
in its shell floating on the surface of a bucket of water. And your
task is to touch the peanut with your finger to maintain contact
with it. If you push too hard, your finger just rolls off and you
lose contact. If you don’t apply enough effort, you may never
contact the peanut in the first place.
And to make it even more realistic, if you introduce some waves
into the water, then you realize that this is a very dynamic
process. It is constantly changing and if you are not allowing any
flexibility of mind, your mind does not make contact with the
object.
So one of the things we’re talking about is actually just making
contact with the objects of perception.
So for example if you are doing vipassana and following the rise
and fall of the abdomen, there is a certain amount of effort
required to make contact and to identify whatever is happening. In
this moment I can say there is pressure and there is tightness,
softness, warmth.
In order for me to know that, to be able to answer the question
“what is happening?” I have to apply the right amount of pressure
of mind, as it were. So all of this goes together with the idea of
the yogi toolbox. You have a whole arsenal that you are going to
use as appropriate, and the yogi toolbox also lines up with a way
of diagnosing—it is a way for me to diagnose where a yogi is in
their practice. And it is a way for a yogi to diagnose himself or
herself, once they understand how to do this.
So what I would like to do is model for you how this works,
layer by layer, and ask you to give it back to me so we can find
out what is going on with you, and then you will understand the
process.
Joel Groover: OK.
KF: So the first thing I want to find out is
whether I’m embedded in the most basic level of mind, which is body
sensation. This is the first foundation of mindfulness that the
Buddha taught. So I’m going to find out if I’m embedded. I know
that if I can objectify the object–if I can kind of stand apart
from it and look at it and say, “Oh look, there is the object,”
then I’m not embedded. By definition, if I can look at it, it is
not “I”.
So I am looking at body sensations right now and I’m going to
report to you in real time: tension… pressure… warmth… heat…
coolness… release… tension… release… coolness… pressure… pulsing…
release. Notice that I’m slowing down a bit as we go. I’m kind of
sinking into this, finding a groove with it.
JG: Are you looking at whatever bodily
sensations are predominant, or is it like a full scan of all
sensations?
KF: It is kind of both. I’m looking at the body
as a whole and whatever jumps out at me is what I’m noticing. Now,
if I were not quite sure what to look at then I would just look at
the rise and fall of the abdomen and find sensations there. And
some of the sensations I reported to you just now were from the
abdomen.
OK, so now can you give that back to me?
JG: Pressure… touching… warmth… pressure.
[Pauses of a few seconds between each label.] I have the sensations
and I can have a sense of objectifying them, but I’m struggling
with how to label them…
KF: Sure, and that is part of the training–just
developing that vocabulary of labeling. But we see that you’re able
to identify pressure and warmth and so we know that you’re not
embedded at that level of mind, at least not in the moment that you
are doing that.
JG: So it is that basic. It is, “Are you able
to stand apart from physical sensations and see that sensate
phenomena are not me?”
KF: That’s right, and we already know the
answer to, “Are you able to see that it is not you?” That’s because
it is not a conceptual thing. It is not like I’ve got to ponder
whether it is “not me.” I know it is not me. Even if I do not
understand the concept, if I can stand here and look at sensations
“over there,” so to speak—-another way of saying it is that if I
can label it, then ipso facto it is not me.
So it is not an intellectual exercise at all. If I were never
introduced to the concept of the Three Characteristics, or if I did not have any
Buddhist theory at all, if I could just say pressure, tightness,
release, softness, warmth, I am dis-embedded in the moment of
saying that. There is no way to label it without momentarily
dis-embedding from it.
So now that we know we’re not embedded at that first level of
body sensations, we are going to try the next level and see if we
are embedded there.
So the next level is, in the Pali language, vedana, and
it is usually translated as “feeling-tone.” This is pleasant,
unpleasant or neutral. So I’ll look at the sensations again but I
will identify which feeling tone goes along with the sensation.
This could be a sensation anywhere in the body. It doesn’t matter
which sensation I’m reporting on, and you won’t know as I report,
but I will report. So here I go: Pleasant… unpleasant… pleasant…
pleasant… unpleasant… neutral… unpleasant… pleasant.
Now, we’re not trying to get to a time when everything is
pleasant. That is completely impossible. We are taught by the
Buddha that our birthright as humans is to have pleasant,
unpleasant, and neutral experiences throughout our life—enlightened
or not, buddha or not, that is just what it means to be human. So
we are not trying to do anything with it. We are just trying to
objectify it.
If I am looking at it, it is not “I”, so I know I’m not embedded
there. If you could give that back to me…
JG: Sure. Unpleasant… neutral… neutral…
unpleasant… pleasant… pleasant… pleasant… neutral.
KF: Good. Now you had no trouble with that.
That came trippingly off the tongue. That was easy.
JG: Yes, because I was not trying to go the
next step and figure out the right way to label it.
KF: Good. So we know you’re not embedded at
that layer. But if we ask ourselves, “Well, what happens each time
I dis-embed and objectify one layer?” I’m actually being kicked
upstairs to the next, presumably. And so my sense of “I”, this
apparent sense of I, is probably just hiding in a more subtle level
as we go up this… kind of climb the ladder of the strata of mind to
ever more subtle levels. So we are just going to keep on going up
the ladder and checking at each level until we find where it is
difficult, if it does become difficult.
Now this is similar to a kind of evaluation that we give to
children at school who are trying to learn—these are kids who are
not native speakers of English. If we want to see how much English
they know, then we start out by asking them questions we are pretty
sure they can answer and we just ratchet up the difficulty each
time. Eventually we get to a point where the child cannot answer
the question. Now we have learned something very valuable: we know
what the level of English proficiency is: it is somewhere in
between the last thing they were easily able to answer and the one
that they cannot answer.
So we get valuable information from this diagnostic tool. So we
are going to kick it up to the next level, the next stratum of
mind, and we are going to look at mind states. A mind state could
be identified as the mental component of an emotion. Shinzen
Young has pointed out that an emotion can be broken down into
“something in the mind” along with “something in the body”—body
sensations. One of the things going on in the mind is its ability
to know what the emotion is.
JG: So just real quick. In that last situation
there, I felt a little bit on the spot and nervous that I might not
do it right. So one of the bodily sensations that I noticed was
those nerves, which I labeled as unpleasant. Was that actually a
mind state? Or I guess you’d say that was a physical…
KF: Well, all of that is happening at once. But
we are just arbitrarily singling out one thing at a time to label
just for the purposes of diagnosis. But as you say, you felt
nervousness or anxiety. Well that is what we are going to look at
now. And we will find out that these things actually change
quickly.
So I will model this: curiosity, joy, investigation, confusion,
amusement, dullness, sleepiness, amusement, joy, annoyance,
dullness, investigation, curiosity, investigation, wonder,
happiness, frustration, happiness, dullness. [identifies emotion
changes rapidly, with about one label per second]
So we see how quickly these things change. What happens—usually
if somebody asks you what your mind state is, if you’re not looking
carefully you might say, “Oh, I’m sad. I have been sad all
day.”
Well, actually that is not true. There might have been a lot of
sadness, but there was probably almost the entire gamut or spectrum
of emotions changing every few seconds. You just didn’t notice it.
So that happens because we are embedded at that level. So give that
back to me and see how easily that comes to you.
JG: OK. Let’s see. Interest… spaciousness…
calm… nervousness… dullness… interest… investigation…
investigation… spaciousness… [NOTE: pauses of a few seconds between
each label, has trouble identifying and noting emotion changes]
Should I try a little more of that?
KF: Try a little more.
JG: Investigation… calm… amusement… amusement…
curiosity… anxious/nervousness. [labeling proceeds somewhat
faster]
KF: OK, so you have got quite a range there.
You have got the anxiety, the nervousness, the happiness and
curiosity. Good. We know that you’re not embedded there. What we do
not know is exactly what level of competence you have there. And so
let me introduce a concept for understanding competence. This is a
concept from teaching and learning theory.
We can divide this up into four levels of competence. It begins
with unconscious incompetence: “I’m doing it wrong but I don’t even
know that I am doing it wrong.” That is the first level. The second
level is conscious incompetence: “I know I’m doing it wrong, but I
can’t do anything about it.” The third level is conscious
competence: “If I really focus on it, I can do it right.” The
fourth level is unconscious competence: “It is such a habit to do
it right that I don’t even have to think about it; it just
automatically happens.”
So if you think about this in terms of being embedded in your
experience, the ideal is that it is just a habit to not be
embedded—you automatically objectify everything that arises in the
field of experience and therefore you are free all the time. Below
that is the level of conscious competence—if you work at it and you
pay attention and you keep reminding yourself to do it, you
can.
That is a lot of what goes on in practice. So most of your days
and months and years and decades of practice will be spent
cultivating at that level—“I can be awake if I remember to be
awake.” Now we saw that with you. You are able to… we know that you
are at, at least, that level [of conscious competence]. When you
pay attention and make the effort, you’re able to not be embedded
in those three layers that we looked at so far.
So let’s look at the next layer, which is subtle mind objects.
For example, thoughts. This is a very interesting layer, a very
important layer because it is absolutely routine for us to be
embedded in the layer of thoughts. Of course we think we are our
thoughts. We spend the entire day being our thoughts and so it
turns out to be this remarkable, precious vacation anytime you can
dis-embed from your thoughts.
And there are a couple of ways to check for this. One of them is
to kind of challenge your thoughts, as though you were talking to
someone else. So you say, “Speak! I’m listening.” And you just
watch. “What do you have to say, thoughts? I’m listening.”
A remarkable thing often happens. Your thoughts might not have
much to say in that moment because you have objectified them and
then there is this sense of “here I am looking at my thoughts,
looking for my thoughts and they are not arising,” which in itself
may be a thought. So you’re going to want to objectify that,
too.
There is another variation on that theme, which is to say, “I
wonder what my next thought will be?” And then you watch your mind
the way a cat watches a mouse hole. Just to see if you can catch
the moment that the mouse pops its head out of the hole-—the moment
that the thought appears. “I wonder what my next thought will
be?”
Now when you do that, what happens?
JG: Well, it is just as you say. The thoughts
are wispier. They probably are there, but there is not a big
vocalization because the paying attention seems to make thought
fade somehow.
KF: It does often seem that way. Now it is also
possible to watch thoughts come and go and let them continue to do
whatever they do. There might even be a story going on and it
continues, but you can still watch it. As long as those thoughts
are objectified, you are not embedded. You’re good to go.
So there is another way that we can verify this in real time,
and that is using a noting technique, which can be somewhat
challenging just because you might not have the vocabulary to do it
yet. But it goes like this. I will model it: Planning thoughts …
remembering thoughts… thoughts of imagery… remembering thoughts…
worrying thoughts… imagery… investigating thoughts… remembering
thoughts… storytelling thoughts… remembering thoughts… coaching
thoughts.
OK, Joel. Try that.
JG: [long pause]: Performance thoughts…
performance thoughts… noticing thoughts… investigating thoughts…
performance thoughts… investigating thoughts. [Does technique
haltingly]
KF: Is there any planning or remembering or
imagery? Any future-izing or past-izing?
JG: There are a tornado sirens going off in my
neighborhood, so I guess hearing thoughts, noticing thoughts.
KF: You are probably visualizing what it looks
like.
JG: Visual thoughts, yeah.
KF: Now as a diagnostic tool, that particular
exercise is best when you’re not doing it for the first time
because it does takes learning the vocabulary of objectifying
thoughts. It is not entirely clear from what we have just heard
whether you are embedded in that layer or not. Use your judgment on
that.
JG: My sense was maybe I am embedded there
because there … well, what I would say is I was having trouble
finding the thoughts. It seemed to be very spacious and quiet, like
I could not find planning or remembering thoughts, for example. But
when you said “Image, what about image thoughts?” I realized, yes,
there had been—I had actually pictured the sirens, but I had not
noticed that. Is that evidence of being embedded, I guess?
KF: Yeah. That is a useful data point for us.
OK. Now, let’s go up to the next level and do an exercise meant to
dis-embed ourselves from the next level. This is an exercise that I
have been calling, “See how it walks.” Just because when I first
discovered it, I would mostly do it during walking meditation. This
is an exercise where you look at all of the things that we have
looked at so far and label them with a little bit of an added
twist. We are going to pull back just one bit more and dis-identify
from our experience with this phrase “See how it…”
I will model it now: “See how it sits. See how it feels
pressure. See how it feels warmth. See how it thinks. See how it
listens. See how it hears. See how it feels coolness. See how it
feels joy. See how it feels excitement. See how it feels coolness.
See how it sits. See how it feels pressure.”
So that is incorporating everything we have done so far, plus
that extra little bit of pulling back—as though you’re looking down
from on high at this odd creature that I would habitually think of
as myself. But from that point of view, from the point of view of
that exercise, it is not me. It is “it.” Ha ha. Look at it over
there doing what it does.
Now, one of my dharma friends, AugustLeo, has dubbed this
practice “the bystander,” which I think is a wonderful term. So I
have begun using that terminology as well.
JG: I’m thinking of, there is a point in
Monica’s case study where there seemed to be
three things present: space, Monica, and then this bystander. So
I’m familiar with that sense. I’ve had that at times.
KF: Let’s have you do “the bystander”: “See how
it…”
JG: See how it feels pressure. See how it feels
interest. See how it is looking. See how it is investigating. See
how it feels self-conscious…
KF: Make sure you have your posture. It is
similar to one of the suttas of the Pali canon where the Buddha
says, “When the yogi is taking a deep breath or a long breath, he
knows he is taking a deep breath or a long breath. When he is
standing, he knows he is standing. When he is sitting, he knows he
is sitting.”
JG: See how it sits. See how it feels pressure.
See how it breathes. See how talks. See how it investigates.
KF: Good. Now see if you can cycle through all
of those things that we have done so far. So we’ve got body
sensations, feeling tone, mind states, subtle mind objects like
thoughts, and then posture, etc.
JG: See how it feels pressure. See how it feels
neutral. See how it feels interest. See how it investigates. See
how it sits. See how it feels pressure. See how it feels unpleasant
sensations.
KF: OK, this is great. So we are systematically
dis-embedding. This is all part of the yogi toolbox. Once the yogi
knows these techniques, he or she can apply them all day long and
stay dis-embedded. Because of the nature of the exercise, you know
that you are at least at the level of conscious competence, the
third of the four levels of competence, anytime you’re doing it.
You are proving it. This is real-time feedback that you are doing
it right. And this is so important because yogis are constantly
second-guessing themselves. “Am I doing it right? Am I making the
most efficient use of my practice time?”
JG: That was the next thing I was going to say,
was about this inauthenticity that I felt at times. It was this
combination of being on the spot and wanting to do it well and show
that I was doing it well, but there was also this concern that I
was not doing it well. So “just note it,” I guess. [laughs]
KF: Well, exactly. You see—and you just said
it—those are all objects to be objectified. You just take them and
put them in the grinder and grind them up. So if you feel the
inauthenticity and recognize it as such, in that moment you’re
absolutely dis-embedded.
JG: Yes. You see the unpleasant feeling tone of
the inauthenticity thought, right? And the body sensation is there
as well.
KF: What this makes me think of is that device
on the back of the professor’s DeLorean in Back to the
Future. It was like a food processor. You could put anything
in it and it would become nuclear fuel to power this car. Well,
this practice is the same. It does not matter what you put into it.
It all becomes fuel for awakening. Every time you notice anything,
it goes in the blender and comes out awake.
JG: Even really subtle stuff that seems somehow
undermining you can just dis-embed from that.
KF: Absolutely. Every little thing, no matter
how subtle. If you can see it, just turn it into fuel.
JG: This to me just sounds like true vipassana.
This is what interested me in vipassana.
KF: Yes, this is vipassana. Everything we have
done so far is looking at objects of the mind. We have actually
taken the whole spectrum of objects from gross to subtle and right
up through the level of “the bystander.” We are doing what I call
First Gear. This is all vipassana, looking at objects.