http://movie-reviews.colossus.net/movies/p/pride_prejudice.html
A Film Review by James Berardinelli
When Hollywood adapts, we get Bewitched and The Dukes of Hazzard.
When the British film industry adapts, we get Shakespeare and
Austen. This explains why there is another version of Pride &
Prejudice to be digested. And, while nothing will come close to
matching the 1995 BBC-TV version, Joe Wright's 2005 adaptation is
arguably the best Pride & Prejudice one can make with a
two-hour time limit. Kudos to screenwriter Deborah Moggach (and her
uncredited script doctor, Emma Thompson) for selecting the perfect
cuts to Austen's novel without gutting the heart and themes or
making the production seem rushed. While I'll stop short of calling
this movie "magical," I have no problem labeling it as very
good.
Anyone who has interest in the movie probably knows the story, so
I'll keep the recap short. Pride & Prejudice tells of the
romance between the smart, sassy Elizabeth Bennet (Kiera Knightley)
and the handsome, reticent Mr. Darcy (Matthew MacFadyen). At their
initial meeting, they leave mutually unfavorable impressions but,
as events continually bring them together, their opinions change.
Darcy falls first, then hamstrings himself with an insulting
marriage proposal. But, as he makes amends, Elizabeth finds herself
falling for him.
The book contains numerous sublplots, all of which have either been
truncated or eliminated for this version. The relationship between
Mr. Bingley (Simon Woods) and Jane Bennet (Rosamund Pike) remains,
but in a condensed form, and only because it is necessary to the
fabric of the central love story. Also suffering greatly is the
character of Wickham (Rupert Friend), who appears in only two
scenes. (I never liked him or that aspect of the novel, anyway.)
The impact of Wickham's character (running off with Lydia Bennet,
then marrying her after Darcy buys him off) is more important than
his presence. Most of the rest of Pride & Prejudice is left
intact, and much of Austen's dialogue is retained. Wright and
Moggach add an epilogue that may annoy Austen purists - it's not
from the book, but it's in keeping with Austen's style and
represents a good way to conclude the film. (Although I daresay no
one would take such liberties with one of Shakepeare's
plays.)
Kiera Knightley makes a dazzling Lizzie, on par with Jennifer
Ehle's interpretation. Knightley is at times playful, at times
tempestuous, and at times vulnerable. And she speaks every line of
dialogue with conviction. Her co-star, Matthew MacFayden, doesn't
shine as brightly, but he handles the role and exhibits chemistry
with Knightley. Of the supporting players, Brenda Blethyn and
Donald Sutherland as Mrs. and Mr. Bennet deserve notice, as does
Jena Malone as Lydia. Judi Dench has a small part as Lady Catherine
De Bourgh, but she only makes a couple of appearances. The only
acting disappointments are Simon Woods and Rupert Friend, but since
neither is on screen long enough to cause serious damage, they're
easy to ignore. (Friend, in particular, appears to have been chosen
more for his looks than his acting ability.)
We're past the era of Jane Austen that gripped movie theaters
during the mid-1990s, but this production is as worthy as anything
to have come out a decade ago. Period detail is impeccable, so the
movie looks as good as it feels. Of Austen's novels, none is more
beloved than this one, so it's good to see it once again brought to
the screen with the pride which it deserves.
