How I learned to go in
circles in Kathmandu
Eric Weiner 21 February 2018
BBC News
Circling Boudhanath Stupa
each morning at sunrise, I learned to slow down, to stop fretting
about ‘lost productivity’ and, instead, go in circles for a
while.
Circles don’t get much
respect. They are the pariahs of geometry; round pegs in a world of
square holes. Western culture has little good to say about the
circle. If we’re stuck on a project, we’re told to stop going in
circles. Such criticism makes our heads spin, so we respond, as
people say in the US, by ‘circling the wagons’.
Lines and angles, though,
are good. We’re told to travel in a straight line, to stand up
straight and be a straight shooter – or maybe a straight arrow.
Either way, it’s imperative that we think straight.
For a long time, I, too,
bought into this anti-circle bias. And while I often strayed from
the straight and narrow, I always chalked up my circuitous path to
personal shortcomings. It never occurred to me that circles might
be good. Then I discovered Boudhanath.
Literally ‘Buddha place’,
Boudhanath (or Boudha, for short) is a village nestled within the
sprawling Nepalese city of Kathmandu. It is the city’s large and
generous Buddhist heart, populated by tens of thousands of Tibetans
and hundreds of Western spiritual seekers. Even though it’s now a
part of Kathmandu, Boudha retains the self-contained cosiness of a
village.
When I first arrived,
rolling my luggage over the rocky pavement (the wheels going round
and round), I was immediately struck by the circularity of the
place. Everywhere I looked, I saw circles. Life here revolves,
literally, around a giant marshmallow. Well, that’s what it looked
like to me. It is, in fact, a stupa, a huge white mound topped with
a glimmering gold tower and, painted in bright colours, the
all-seeing eyes of the Buddha.
All stupas represent the
Buddha Mind, and circling it is believed to bring one closer to
enlightenment. At any time of day, hundreds of people circle
Boudhanath Stupa, chanting mantras, kneading their mala (round
prayer beads) and twirling prayer wheels, cylinders of metal and
wood that contain scrolls of Buddhist mantras. With the flick of a
wrist, the cylinders turn round and round, while the people walk
round and round.
Buddhists love round
things: the mandala, or circular representation of the universe,
the prayer wheel, the stupa. Maybe that’s why, as one American
convert to Buddhism told me, the lamas of Boudha are notoriously
tardy. If everything is circular, including time, punctuality
becomes a matter of perspective. You might be very late, or very
early. It all depends on how you look at it.
A central element of
Buddhism, as well as Hinduism, is samsara, the nearly infinite
cycle of birth and rebirth that is only broken once we achieve
nirvana. Other faiths contain circularity, too. For instance, the
whirling dervishes of Sufism, who, as they twirl round and round
are said to get closer to Allah.
Like many Westerners, I
view time, and history, as linear. I picture a timeline like the
ones thrust upon me in secondary-school history lessons: a straight
line that begins at point A and ends at point B. Many cultures,
though, don’t see it that way. They view time, and indeed the
universe, as circular. It’s called the Wheel of Time, or the Wheel
of History, and it appears in a surprisingly large, and diverse,
number of cultures, from the Q'ero Indians of Peru to the Hopi
Indians of Arizona to the philosophy of Friedrich Nietzsche, who
posited the notion of ‘eternal recurrence’. Nietzsche believed our
lives repeat themselves in exactly the same way an infinite number
of times.
As the days and weeks in
Boudha passed, my linear thinking began to change, to bend. It
wasn’t easy, but thankfully I had help: my friend James Hopkins, an
investment banker-turned-Buddhist disciple and long-time resident
of Boudha. One day, over breakfast, I confessed to Hopkins that I
have trouble going in circles. I’d recently purchased a Fitbit, and
progress and productivity were on my mind.
“Ultimately, there is
nowhere to go and nothing to do,” he told me, letting the beguiling
words hover in the crisp morning air.
I found this notion
simultaneously appealing and terrifying. If there is nothing to do,
how do I know if I’m doing this nothingness right? I also found it
odd coming from Hopkins, who is anything but idle. He’s up at dawn,
meditating, then circling the stupa then working on his non-profit
project Quilts for Kids. How can you be so busy, so active, yet
tell me that ‘ultimately there is nothing to do?’. Isn’t that a
contradiction?
Not at all, Hopkins said.
There is a difference, he explained, between outward action and
inner stillness. Activity is good, he said, especially activity
that benefits other sentient beings.
My life in Boudha took on a
circularity of its own. Each day, I woke at 05:30, splashed water
on my face, then stumbled downstairs and out of the front door to
join the river of people circling Boudhanath Stupa. At this hour,
there were no tourists. It was just me and a few hundred Tibetans,
going round and round. It felt good to walk, to sense the ground
beneath my feet, to take in the essence, the ‘suchness’ of the
place, as a Buddhist would put it. The light was milky and soft,
the sun only beginning to peek above the horizon.
I heard the clickety-clack
of prayer wheels, the murmur of mantras, the flutter of pigeons
flapping their wings, the clanking of shop shutters yanked open,
the chortle of spoken Tibetan. And, always, that soundtrack to
Boudha, seeping out of every trinket shop and chai stand or hummed
aloud by the circumambulators: Om Made Padme Hum. It is the best
known of the Tibetan mantras. It means literally ‘Hail to the Jewel
in the Lotus’. The lotus flower grows in muck and mud yet blossoms
clean and beautiful. It’s a nice sentiment, but what I like most
about it is simply the way it sounds in Tibetan, the vibrations.
The mantra wormed itself into my mind and I found myself chanting
it without realising that I was doing so.
I continued to walk until
my legs tired and my mind settled. The circumambulations are
open-ended, freestyle. There’s no proscribed number of circuits.
This is liberating, and frightening. How do you know when enough is
enough?
“You’ll know,” Hopkins had
told me, with a mischievous smile.
But I didn’t know. That was
the problem. I couldn’t jettison my linear thinking. As I circled
the stupa, I periodically twisted my wrist to consult my Fitbit. In
theory, the device tracks my ‘progress’. It faithfully registers
steps taken (3,635), miles traversed (1.68) and calories burned
(879). In reality, though, it tells me nothing. I was going in a
circle, getting nowhere.
The circle exposes the lie
that is progress. Tracking your headway in a circle is not only
futile but absurd. There are no straight lines. The question that a
place like Boudha and a faith like Buddhism pose is this: can you
acknowledge this futility? More than that, can you embrace the
absurdity of the circle?
For the past few years,
I’ve returned to Boudha every autumn. At first, I notice the small
differences: a wood-fired pizza joint has opened, which annoys me
(if I wanted wood-fired pizza, I would have stayed home) and a new
sign declaring that ‘the use of drones is strictly prohibited’.
Plenty about Boudha hasn’t changed, though. There’s the elderly
Tibetan woman, pausing every few feet and falling to the ground,
prostrating herself again and again. There is the little shop
selling ‘Happy Buddhist Things’. And there is my friend James
Hopkins.
Does the fact that I’ve
managed to return each year amount to progress? A while ago, I
might have framed it that way, but not now. I am simply revisiting
a little corner – no, too angular – a small bubble on the planet
that has taught me a very valuable geometry lesson. I have come
full circle in Kathmandu.