The truth is that Japanese people have always been a polite group
of people.
A lot of forummers here seems to have thought that they are being
polite because of their loss in WWII, but that is partially correct
at best.
Japan is a very traditional country, and mannerism is one of the
things which is very important to them. Bad manners, especially
against elderly, could result in very harsh punishments in the
past. When I say harsh, I mean being tied up and flogged with whips
and punishments along that line.
Well, that also shows how brutal they are in another way....
Forbiddensinner you are right. They had been always a polite group
of people since their ancestors who were a polite group too. I
bring out some relevant examples:
from "A History Of Writing in Japan"
(pg 26) The earliest known examples of a
piece of writing in this hybrid style is to be found in a Gangouji
Temple inscription dating from 596 (The original inscription itself
is no longer extant, but the text has been preserved in the
Gangouji enji - Records of Gangouji Temple of 1165. For the actual
text, see Nishimiya, Nihon joudai no bunshou to
hyouki, pp. 30-31.). In this text, Japanese linguistic
influence can be seen in the sequence 諸手使作奉也 "had various craftsmen
make it": the causative marker (represented by the third character)
is preceded here by the agent (characters one and two), in
accordance with Japanese syntax; Chinese style would require the
causative marker to precede the agent. The positioning of the fifth
character 奉 (in
Chinesefeng "receive with both hands, serve;
respectfully") constitutes another feature which is irregular in
terms of Chinese style; it
appears to be used here to represent a Japanese humble verbal
auxiliary (cf. Chinese style, in
which feng would be placed before - not after -
the fourth character).
(pg 27) Probably the best-known early
hybrid text is the inscription located on the reverse of the nimbus
of the Yakushi nyorai image in the Golden Hall (Kondou) of
Houryuuji Temple, Nara. The reason that this text is widely cited
by Japanese scholars is no doubt because in proportion to its
length it contains a large number of hybrid sequences.
Unfortunately the exact date of the image and inscription is a
subject of controversy, but the majority of scholars seem to regard
them both as being of seventh century origin, and this view is
provisionally followed here also. (Even if at some future date it
were to be demonstrated that the Golden Hall Yakushi nyorai
inscription is in fact of later date, this would be of no great
consequence here, as the main purpose of taking up this text at
this point is to illustrate the general features of the hybrid
style.) The block script transliteration and translation of this
text are as follows:
池邊大宮治天下天皇大御身勞賜時歲次丙午年召於大王天皇与太子而誓願賜我大御病太平欲坐故將造寺薬師像作仕奉詔然當時崩賜造不堪者小治田大宮治天下大王天皇及東宮聖王大命受賜而歲次丁卯年仕奉
"When the emperor who ruled the land from the Ikenobe Palace
(Emperor Youmei) fell ill, in the
year hinoe-uma (586? - According to
the Nihon shoki, Emperor Youmei died not in 586 but
in the following year. The Nihon shoki also
gives a different account of the circumstances in which the temple
was built and a Buddhist image made; see Sakamoto, op. cit., vol.
2, pp. 160-61, or Aston, op. cit., vol. 2, pp. 109-11. It had been
pointed out [Outani daigaku, ed., Nihon kinseki
zuroku, 'Kaisetsu', p. 19] that several terms in this Yakushi
nyorai inscription did not come into use until later in the seventh
century: the term translated in the above as 'sage prince' appears
only to have been used as a posthumous cognomen for Prince
Shoutoku, and characters twenty-five and twenty-six, nowadays read
as tennou "emperor", only came into use after
the Taika Reform of 645. One theory (ibid.) is that the inscription
was added to the image some time after it had been made.) he
summoned the empress and imperial prince, and made a vow that he
would build a temple and a Yakushi nyorai image, as he wished to
alleviate hsi illness. However, the emperor passed away at that
time, and was unabel to proceed with his intentions. Since this was
so, the empress who ruled the land from the Oharida Palace (Empress
Suiko) and the sage prince of the Eastern Palace (Prince Shoutoku)
undertook the wish of the deceased emperor, and had [a temple and
Yakushi image] made in the
year hinoto-u (607?)".
(pg 28) Individual hybrid texts
tend typically to gravitate towards either a Chinese or a Japanese
model, rather than a point approximately midway between the Chinese
and Japanese styles. In the case of the Yakushi nyorai inscription
under consideration here, treatment in terms of deviation from a
Chinese model seems appropriate. When seen from this perspective,
the main hybrid features of this text can be summed up as
being a degree of Japanese-influenced word-order,
and overt representation of Japanese elements.
Examples of the former feature are as follows: 薬師像作 "make a
Yakushi image" - this sequence reflects the Japanese syntactic
order of object + verb (Chinese style would
have 作薬師像); 造不堪 "not able to build" - the order of
characters reflects the underlying Japanese construction, which has
the element for "make first (cf. Chinese
style 不堪造). As for the second general hybrid
feature (overt representation of Japanese elements), the following
examples may be given: 大御身 "body" - the first two characters are clearly used to
represent a Japanese honorific prefix, probably compound in nature (so too
for 大御病
"illness"); 勞賜 "be ill" - the second character
(Ch.ci "bestow") appears to
be employed here to represent a Japanese
honorific verbal auxiliary (same for 誓願賜, 崩賜, 受賜) (the
character 奉 appears here again
too).