I think the problem for Crazy Horse is two-fold. Firstly they
could not rely on the domestic market, for society is still not
ready for such revues, and thus the demand is very limited.
Secondly, they were hampered by stiff publicity restrictions which
limited their ability to attract the tourist dollar.
Overall, I suppose it can be considered a failed experiment, which
shows that Singapore still has someway to go before it can become
the cultural capital of the region.
