That's the photo of the floor. Terrace floor near the
plants.
It has a good colour with nice strong contrast and a little shine.
Also it's not just a blank colour but with noticable ordered
patterns from the tile lines.
I meant that floor photo to serve as a closing in that series of
photos. It's man made, concrete, and it provides a contrasting
visual and contextual break and close from all the nature photos
previously.
I took it as a fitting closer. And although it's a break, it's
still related to the previous ones as readers can guess it's the
floor nearby. So it's continuous.
It would be different if the floor photo is in the wrong order, for
example in middle or in beginning. The feel will be off.
I ordered the photo series deliberately. Like the first one, the
opener is a bloom. The second one, a little flower. I wanted the
reader to see the first photo the most beautiful bloom. A
captivating start. Then when they see the following small little
flower, they will feel, 'Oh such a big bloom actually came from
such a small flower' . I want them to flashback, like seeing an old
man then seeing a kid. The feeling will be different if you show
the kid first then the old man. Too linear and common. Flashback is
more poetic, it will leave a deeper impression in your mind. The
blooms in 1st and 3rd photo are beauty in bold expression,
glorified in center stage, while 2nd one is a vulnerable promising
beauty ensconced in its surrounding leaves. When they work together
in a series, a reader can feel the magic. The magic of traversing
time. Of transformation. Of continuity. Of beauty and nature.
OK I crap too much now. But if I write it in words, that's roughly
how I feel. You see the photos slowly from top to down, you will
get a feel. You have to savour it like a wine.
OK, OK I stop now.
